Speaking of Workspaces, this feature has been completely overhauled - and improved - for users of both platforms. While this is mostly effective, and Steinberg have certainly ironed out some of the early quirks of this new approach since the initial Cubase 8 release, I’m still not completely convinced I love it. The idea behind this change is, in part, to improve the user experience when working with multiple displays, particularly if you make use of Workspaces. The menu bar exists as its own window that has to be placed at the top of one of your displays. Where previously all of Nuendo’s windows apart from the floating ones would be contained within a parent MDI (Multiple Document Interface) window, they are now set free to be placed wherever you like. Windows users will initially be impacted the most by certain behaviours inherited from Cubase 8, as Nuendo 7 on Windows adopts Steinberg’s new approach to windowing.
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However, as usual, Steinberg have gone further, adding specialised features for the audio post-production market, and, for the first time, for those producing audio for video games.Īlthough I’ll be discussing some of the features from Cubase 8 as they relate to Nuendo in this article, refer to the Cubase Pro 8 review published in the March 2015 issue for a more in-depth discussion on the specifics. This is good news, since it means Nuendo users finally get desirable features such as VCA faders and Render-In-Place.
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Nuendo 7 inherits all the new features Steinberg debuted in Cubase 8, and adds sophisticated functionality for producing audio for film, TV and games.įollowing six months after the release of Cubase 8, Nuendo 7 brings the latest functionality from Steinberg’s Advanced Music Production System to their Advanced Audio Post-Production System.
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